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Fred Neil (born Frederick Ralph Morlock Jr.; March 16, 1936 – July 7, 2001) was an American singer-songwriter active in the 1960s and early 1970s. He is mainly known through other people's recordings of his material – particularly "", which became a hit for after it was used in the film in 1969.

(2025). 9780826419149, Continuum International Publishing Group. .
Though highly regarded by contemporary folk singers, he was reluctant to tour and spent much of the last 30 years of his life assisting with the preservation of .
(2025). 9781574884777, Brassey's. .


Life and career
Fred Neil was born Frederick Ralph Morlock Jr., in , Ohio, just two weeks after his parents, Frederick Ralph Morlock and Lura Camp Riggs, married. Neil later said that he took his stage name from his maternal grandmother, Addie Neill, the family member of whom he was fondest. While they lived in Ohio, his father installed sound systems for the Automatic Musical Instrument Distribution Company (AMI), which made player pianos and, later, jukeboxes, and then worked for the Triangle Music Company, distributor of Aireon jukeboxes. In 1942, the Morlock family moved to St. Petersburg, Florida, where young Fred started singing when he was in first grade, coached by his mother, she claimed. Around 1947, when in sixth grade, he started playing guitar. His parents had separated in 1945, divorcing in 1949, and his father returned to Cleveland.
(2025). 9781733016407, Blue Ceiling Publishing.

In 1955, at the end of two years of military service in the navy, Fred Morlock married Leilani Lee Michaels, a "Fran Malione Dancer" in San Francisco, a "photographers' model," and later a beauty-pageant queen and "."

(2025). 9781531616663, Arcadia Publishing.
They lived with Fred's mother in St. Petersburg, and separated a year later. In August 1958, in New York, Neil married Elaine Berman after she became pregnant with their son, Kenny. She had worked at until her pregnancy compelled her to quit her job. Faced with the costs of family life, she worked as a secretary at , while Neil wrote songs and performed. They separated in 1960. (In 1965, she married .) In 1963, Neil and Linda Watson started living together, in Miami, and in time they married, having a son, Christopher. Their marriage ended in 1968. When Neil moved to Woodstock, New York, in 1969, he met and married Judy Cruickshank, and they lived in a cabin in Saugerties, NY on the same road as , home of and other members of . Judy and Fred Neil had two sons, Justin and Tyson Neil.

In the late 1950s, Neil was one of the singer-songwriters who worked out of New York City's , a center for music industry offices and professional songwriters. While composing at the Brill Building for other artists, Neil also recorded six mostly -pop singles for different labels as a solo artist.Brend, Mark (2001) "Fred Neil", , No. 265, September 2001, p. 11. He wrote songs that were recorded by early rock and roll artists, such as ("Come Back Baby" 1958, co-credited to Holly's producer, ) and ("Candy Man" 1961, co-written with ).

With his 12-string guitar and spectacularly deep baritone voice, Neil was considered the King of the /Greenwich Village folksingers. With Lou Gossett, starting in February 1961 he co-hosted an afternoon hootenanny at Cafe Wha?. recalled that when he arrived at the Village, he was advised to seek Neil there, and, when he did, Neil invited Dylan to join him on stage.

(2025). 9780743230766, Simon and Schuster.
Photos from July 20, 1961, depict Neil, , , and an unidentified conga player, with Dylan on harmonica. In addition to Dalton, early on Neil also performed alongside . Neil met Vince Martin in 1962, and they formed a singing partnership;
(2025). 9781610752992, University of Arkansas Press. .
his first LP, Tear Down The Walls (1964) was recorded with Martin. A New Yorker, Martin had relocated to Florida in 1960, and soon settled in , where Neil followed him after their initial musical meeting, and where he returned regularly for years after. During 1965 and 1966 Neil was joined on many live sets by the Seventh Sons, a trio led by on guitar and vibes. Neil released Bleecker & MacDougal on in 1965,
(2007). 9781847676436, Canongate Books. .
reissued in 1970 as A Little Bit of Rain. His album Fred Neil, released in 1967, relaunched in 1969 as Everybody's Talkin', was recorded during his residencies in Greenwich Village and Coconut Grove, with one session taking place in Los Angeles.

After "Everybody's Talkin, Neil's best-known songs are "Other Side of This Life", covered by The Lovin' Spoonful on their debut album, Do You Believe in Magic and Jefferson Airplane on their live album Bless Its Pointed Little Head; and "The Dolphins", which was later recorded by several artists, including , It's a Beautiful Day, , , , , and . In particular, Jefferson Airplane considered Neil a major influence, and he was a frequent visitor to their house at 2400 Fulton Street in . Neil reminded of Winnie the Pooh, and her nickname for him was "Poohneil". The minor Airplane hit "The Ballad of You and Me and Pooneil" was written for Neil. Sebastian's song "Coconut Grove" from the album Hums of the Lovin' Spoonful was a tribute to Neil.

Blues and folk singer credits Neil with being her mentor in the early 1960s. Golden Gate Grooves – Issue 11, The Golden Gate Blues Society Quarterly, Johnny Ace & Cathy Lemons, October 2011. Retrieved December 23, 2018.

Interested in dolphins since the mid-1960s, when he began visiting the , Neil, with Ric O'Barry, founded the Dolphin Research Project in 1970, an organization dedicated to stopping the capture, trafficking and exploitation of dolphins worldwide. Increasingly involved in that pursuit, Neil progressively disappeared from the recording studio and live performance, with only occasional performances in the rest of the 1970s.


Later life and death
Neil left Woodstock in the mid-1970s and spent his remaining decades on the shores of southern Florida, involved in the Dolphin Project. After a guest appearance with at New York City's Madison Square Garden in 1971, Neil began a long retirement, performing in public mostly at gigs for the Dolphin Project in Coconut Grove. He performed with on harmonica, Harvey Brooks on bass, and Peter Childs on guitar at the Montreux Jazz Festival in July 1975. Michael Lang, one of the organizers of the 1969 Festival and a habitué of Coconut Grove in the 1970s, tried unsuccessfully to release this as a live LP. In an ensemble called the Rolling Coconut Revue, which included Sebastian, Brooks, Childs, and pianist Richard Bell, Neil played at the Save the Whales benefit concert in Tokyo, April 8–10, 1977. Neil's last public performance was in 1981, at an outdoor concert at the Old Grove Pub in Coconut Grove, where he joined Buzzy Linhart for one song and stayed onstage for the rest of the set.

Many of Neil's 1970s recordings remain unissued, including a 1973 session with Quicksilver Messenger Service guitarist and some Woodstock recordings with guitarist . According to Ric O'Barry, Neil recorded two albums of cover songs in 1977 and 1978 that did not release. O'Barry said he produced the first of the recordings in , and that Neil was joined by Pete Childs on guitar, John Sebastian on harmonica, and Harvey Brooks on bass. The second album was more fully arranged, with Neil accompanied by the New York session band Stuff and some old friends, including . The songs on these albums were written by , , Bobby Ingram, Billy Joe Shaver, and (composer of "").

Through the 1980s, Neil retreated from music and public life, living in Florida. In June 1987, in Miami, he was involved in an accident that killed Christine Purcell, his girlfriend, when she hotwired her camper truck, which had a defective starter, and called for Neil to start the vehicle. Apparently she had not put it fully into neutral or set a parking brake, and the wheels ran over her, causing "massive blunt trauma". Afterward, Neil moved from Coconut Grove, visiting New York, travelling to Mexico and Texas, then, by the early 1990s, relocating to coastal Oregon. In 1996, he returned east, to the Florida Keys. In 1998, he remarked on a sore on his face that he claimed was a spider bite. It was the first sign of a later-diagnosed squamous-cell carcinoma, for which he received radiation treatment and surgery. The cancer returned in 2001, and he was scheduled to begin chemotherapy on July 16, but he was found dead on July 7. He was reported to have died of natural causes, and to have left a written will on his nightstand.


Legacy
Neil gained public recognition in 1969, when Nilsson's recording of "Everybody's Talkin'" was featured in the film ; the song became a hit and won a .

He was one of the pioneers of the and singer-songwriter ,

(2025). 9780743201698, Simon and Schuster. .
his most prominent musical descendants being ,
(2025). 038080624X, . . 038080624X
Stephen Stills, and . In Neil's obituary in , wrote, "So why is Neil a hero to David Crosby? Because back when Crosby was an aspiring folkie who just arrived in New York, Neil bothered to take an interest in him, just as he did for the young Bob Dylan, who backed Neil on harmonica at the Cafe Wha? in Greenwich Village. 'He taught me that everything was music,' Crosby says." His most frequently cited disciples are , , Dino Valenti, Vince Martin, of the avant-folk ensemble the Holy Modal Rounders, ,
(2025). 9780879307035, Hal Leonard Corporation. .
,
(2025). 9781560256731, Da Capo Press.
Jerry Jeff Walker, , and (Jefferson Airplane). Some of Neil's early compositions were recorded by Buddy Holly and Roy Orbison. He played guitar on the demo version of 's 1958 hit "", and was a demo singer on a late-1950s movie soundtrack session. He recorded "One Heart," a song by and Scott Turner (misidentified by Neil biographer Peter Lee Neff as "Steve"). According to Turner, the song arrived in Los Angeles too late to be used in the film.

In his memoir, recalls first seeing Neil in a duo with Martin at Cafe Wha?, and that "Tear Down the Walls" was the first protest song he had heard in Greenwich Village, "the first to point me in a clear direction". He also remembers Neil and Valenti's version of 's "What'd I Say?" They would continue performing while making their way out the cafe's back door, then returning through the front, while keeping the song going. "I can still see and hear Neil and Valenti coming down that center aisle, raising the roof of the Wha?, 'tearing down the walls' that were keeping me from expressing what I needed to do."


Discography

Albums
  • 1964: Tear Down the Walls (Elektra) with Vince Martin
  • 1965: Bleecker & MacDougal (Elektra), reissued in 1970 as A Little Bit of Rain
  • 1966: Fred Neil (Capitol), reissued in 1969 as Everybody's Talkin'
    (2015). 9780786475421, McFarland. .
  • 1967: Sessions (Capitol)
  • 1971: Other Side of This Life (Capitol), live and alternate versions


Compilations
  • 1986: The Very Best of Fred Neil (See for Miles)
  • 1998: The Many Sides of Fred Neil (Collectors' Choice)
  • 2003: Do You Ever Think of Me? (Rev-Ola)
  • 2004: The Sky Is Falling: The Complete Live Recordings 1965–1971 (Rev-Ola)
  • 2005: Echoes of My Mind: The Best of Fred Neil 1963–1971 (Raven)
  • 2008: Trav'lin' Man: The Early Singles (Fallout)
    (2025). 9781841950174, Mojo Books.


Anthologies including tracks by Neil
  • 1963: Hootenanny Live at the Bitter End (FM)
  • 1964: A Rootin" Tootin' Hootenanny (FM)
  • 1964: World of Folk Music (FM)


Selected songs
  • "Candy Man"
  • ""
  • "Ba-di-da"
  • "Tear Down the Walls"
  • "The Dolphins"
  • "Green Rocky Road"
  • "The Other Side of This Life"
  • "Country Boy & Bleecker Street"
  • "Blues on the Ceiling"
  • "Wild Child in a World of Trouble"
  • "FareTheeWell"
  • "Little Bit of Rain"
  • "That's the Bag I'm In"


Notes

External links

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